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" Talk about intimidating: Can you imagine doing Linda Evangelista's makeup? "Sometimes I just say to a makeup artist, 'Listen, I don't know what you've heard about me, but you're doing my makeup and it's going to be all right.' Sometimes they do things like, when they get to my mouth, they hand me the lip pencil. Just give it a shot.' "Evangelista is quick to crack a joke, which raises the question: Could the model the industry loved to paint as bitchy and cynical actually be playful with a killer sense of humor? "When I was brought up-to-date on the situation, I asked, 'So, who's going to see him? I booked a ticket and spent the day with him, and then went right back to the airport.I didn't want him to be alone." She didn't tell anyone; Galliano was the one who spilled the beans. "If you speak to people in this business who've known me for 30 years, they'll tell you.It's beautiful." She remembers when makeup artists and hair stylists didn't have teams of assistants, when the backstage was the size of an airplane bathroom, and admits to being nostalgic for that era. It had more energy."Evangelista says that in pre-digital-camera days, she felt she was creating art with photographers, which isn't always the case now: "These young whippersnappers have brilliant eyes and ideas, but they're not old-school enough for me." She misses the great technicians who didn't rely on computer wizardry. I like to be tongue-in-cheek." Her nasal, winging voice, immortalized in Isaac Mizrahi's 1995 documentary, when she moaned backstage at a fashion show about always being stuck with flat shoes while Naomi got the heels, now lets loose with punch lines and double entendres. So is Carlyne Cerf de Dudzeele, the French stylist who Evangelista says "acts like a mom to me. Earlier this year, too, it was revealed that she was the only one of John Galliano's famous friends who visited the designer in rehab following his 2011 dismissal from Dior."When we were satisfied with how our Polaroids looked and we moved to film, those pictures did not need retouching. Sometimes I look in the mirror and see wrinkles in the clothes or streaks in my makeup or a glob of mascara on my eyelashes, and it pisses me off! I tell her that Karl Lagerfeld calls her "the best." "The best what? "I hadn't seen him in a long time, and I suspected he wasn't well," she recalls.It's a rainy day and we're sipping coffee in New York's Chelsea neighborhood, a few blocks from the penthouse apartment she bought more than a decade ago, debating the pros and cons of the Internet. The cons, of course, involve things that come up when one Googles oneself."If I'm ever feeling real good about myself, all I have to do is go online and read a blog or two, and it brings me right back." Indeed, the life of Linda Evangelista provides colorful search results.
Linda does not do social media." The Linda in question, the one talking about herself in the third person, is Linda Evangelista, the monumental '90s supermodel and fashion-industry rabble-rouser. That's when I wish I had Twitter," she says, flashing that high-fashion smile.The images she created with photographers like Irving Penn, Richard Avedon, Peter Lindbergh, and Norman Parkinson (not to mention her iconic covers) have become part of fashion history."I knew they were legendary, but I didn't know how relevant their work would become. ' I didn't appreciate it at the time, and I regret that." Francesco Scavullo was another master, and one of the few who got her to undress in front of the camera."There are lots of things you don't know about me," she says."I do needlepoint, I do crochet, I cake-decorate." She says she's a proficient chef and a barista, and can play a mean accordion, a skill she acquired growing up in St. ("I have two in my apartment, but they have dust on them.